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[Read online The Face of Britain The Nation Through its Portraits] Ebook by Simon Schama

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Aristotle Detective (Aristotle kK read but foreeping at hand "And Re Reading Favourite Parts A Book "re reading favourite parts A book accompanies a television series and a gallery exhibition and which uses paintings in the National Portrait Gallery and the stories behind them to tell the history of British painting often in the context of wider British social historyAlthough there are lots of the paintings reproduced many referred to in the text are not and the book is very unstructured both between and within sections and chapters There s something powerful and elemental about portraiture about meeting another person s gaze across time and space Similarly the process itself the complex dance between the subject the artist their actual appearance what they desire to appear and the chance that the image captures something of their essence is also fascinating and powerful And when portraiture becomes systematized as it does in the National Portrait Gallery that adds all the complications of public notabilityThere s a great deal of potential in this work It s a fascinating topic and Schama has the art historical background to pull it off But only a few sections really gel as a cohesive whole the first chapter on power the last chapter on ordinary Britons some "Of The Asides On Caricature "the asides on caricature miniature paintings which were carried as a constant reminder of a beloved one Basically for an American what this book needed was structure and context on about 200 years of British history from 1750 to 1950 I consider myself reasonably well read and an amateur historian but I only now enough to sketch an outline of this period and Schama is so caught up in breathy gossip that I lost track of what he was gossiping about What could be insightful tends towards a ramble through the British GalleryThis book probably also suffered because of my tendency to marathon through whatever I m reading At a chapter a day the tone might grate less Still lots of plates and fun words even if the choice of images in a chapter can be somewhat 45This achieves a good balance of history and analysis of the visual aspect of art and despite the fact that each section of the book focuses on a different theme of portraiture with individual chapters then tackling specific artists ranging from medieval to contemporary times Schama manages to effectively morph these disparate artists into a cohesive portrait of Britain. N Schama uses a stunning and surprising array of images to tell the story of the British from the Tudors to the present day He will change the way we see Britain and each othe. I love books about art and I love books about history and I love books about art history so I figured I could hardly go wrong with a book with this title And indeed it is charming although probably better taken in small chunks I had to gallop through "it since I was reading a library copy and it s a LOT to digest at one goI "since I was reading a library copy and it s a LOT to digest at one goI Say The Subtitle Is Somewhat Misleading It S Not "say the subtitle is somewhat misleading It s not history it s a collection of short histories on various subjects illustrated by a selection of reproductions from the British National Portrait Gallery The illustrations are "wonderful and there are many of them the "and there are many of them the as a whole is expensively and lavishly produced on heavy coated paper which makes looking at the images a joy while also making the book very heavy to hold but so many paintings are referenced in the text that I continually found myself frustrated at not being able to see portraits so lovingly described That feels ungrateful but it s true nonethelessI am a long time fan of Simon Schama s television hosting as well as his writing and this book is far like the former than the latter I haven t seen the television series it companions yet I believe and hope it will be shown on PBS eventually but I wouldn t be the tiniest bit surprised if this was a fleshed out version of the show transcript because Schama s speaking voice comes through loud and clear on every page I could almost see and hear him as I read That is a strength of the book but it is also a bit of a weakness because it makes the book feel very episodic especially at first when I was expecting of a connected narrative than the book delivers Still I recommend it especially to people interested in art history Delightfully eclectic romp through British portraiture bouncing back and forth through the centuries engaging artists photographers etc and their subjects part history part art critiue part social commentary well illustrated as one would expect Prolific author Simon Schama is at heart a storyteller In this his latest book he uses selected portraits from the National Portrait Gallery in London to tell stories both about the men and women portrayed some well nown others not and the artists themselves again some famous and some entirely new to me Altogether it makes for entertaining reading and a different angle on British history and society One of my favorites the rainbow portrait of ueen A portrait opens a window into a person's life who they were and wanted to be who the artist saw and how everyone else looked onFrom the divine paintings of Elizabeth I to the.

REVIEW The Face of Britain The Nation Through its Portraits

The Face of Britain The Nation Through its PortraitsLizabeth wearing a gown with embroidered eyes and ears symbolizing the all nowing nature of the symbolizing the all nowing nature of the A bit bizarre to our modern sensibilities but in light of recent events maybe due for a comeback Kind of an armchair travel book for history and art buffs The Face of Britain augments the "background of the portraits from london s national "of the portraits from London s National Gallery in the way that only Simon Schama can uirkily detailed and deeply interesting Simon Schama can do three things with a portrait first he can explain what its pictorial ualities are and position it in the tradition of portrait painting and art history in general What is new in the style or innovative in the techniue How is it an expression of the art schools of its time Secondly he can tell us about the historical function of the portrait and the historical context in which it was created Portraits had a different function in the Elizabethan age than in Victoria s time What role did this portrait play in history or how does it represent the issues at stake in the time of its creation Thirdly there always is an anecdote about the painter the sitter or the portrait itself Churchill looks fierce not because he is determined to beat Hitler but because an audacious photographer brutally took his cigar away Most of the time he does the three things together which results in a most enjoyable readIn about five thematic chapters power love fame self portrait common people Schama discusses a wide range of portraits hopping from one era to another explaining how portraits and the represented theme have evolved philosophically and visually over time Be prepared to face an avalanche of names and historical references that may at times hinder the fluency of the reading unless your erudition euals that of Schama Have a google device nearbyBut see it through and you will be rewarded with or renewed insights into British history and in art history As a bonus you will have amply expanded your stock of interesting facts and amusing stories and hence your range in conversation The hardcover is a beautiful book with uality pictures of most of the portraits discussed Read the bits about artists I like but incredible writing Beautiful diverse stories on history and art Some are real who do you think you are stories The last part The faces of the people was my favourite but I enjoyed them all Not made for a uic. Iconic photograph of 'bulldog' Churchill; from Victorian portraits of dead children to Hockney's of his elderly parents; from anonymous workers to the artists themselves Simo. ,
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